Monday 29 April 2013

Making your Creative Mark, book excerpt from Eric Maisel's newest book





CONFIDENT CREATING
By Eric Maisel

If you want to live a creative life and make your mark in some competitive art field like writing, film-making, the visual arts, or music, and if at the same time you want to live an emotionally healthy life full of love and satisfaction, you need an intimate understanding of certain key ideas and how they relate to the creative process.

One key idea is that you must act confidently whether or not you feel confident. You need to manifest confidence in every stage of the creative process if you want to get your creative work accomplished. Here’s what confidence looks like throughout the creative process.

Stage 1. Wishing

‘Wishing’ is a pre-contemplation stage where you haven’t really decided that you intend to create. You dabble at making art, you don’t find your efforts very satisfying, and you don’t feel that you go deep all that often. The confidence that you need to manifest during this stage of the process is the confidence that you are equal to the rigors of creating. If you don’t confidently accept the reality of process and the reality of difficulty you may never really get started.


Stage 2. Incubation/Contemplation

During this second stage of the process you need to be able to remain open to what wants to come rather than defensively settling on a first idea or an easy idea. The task is remaining open and not settling for something that relieves your anxiety and your discomfort. The confidence needed here is the confidence to stay open.


Stage 3. Choosing Your Next Subject

At some point you need the confidence to say, “I am ready to work on this.”  You need the confidence to name a project clearly (even if that naming is “Now I go to the blank canvas without a pre-conceived idea and just start”), to commit to it, and to make sure that you aren’t leaking confidence even as you choose this project.  Choosing is a crucial part of the creative process.


Stage 4. Starting Your Work

When you start a new creative work you start with certain ideas for the work, certain hopes and enthusiasms, certain doubts and fears – that is, you start with an array of thoughts and feelings, some positive and some negative. The confidence you need at that moment is the confidence that you can weather all those thoughts and feelings and the confidence to go into the unknown.


Stage 5. Working

Once you are actually working on your creative project, you enter into the long process of fits and starts, ups and downs, excellent moments and terrible moments – the gamut of human experiences that attach to real work. For this stage you need the confidence that you can deal with your own doubts and resistances and the confidence that you can handle whatever the work throws at you.


Stage 6. Completing

At some point you will be near completing the work. It is often hard to complete what we start because then we are obliged to appraise it, learn if it is good or bad, deal with the rigors of showing and selling, and so on. The confidence required during this stage is the confidence to weather the very ideas of appraisal, criticism, rejection, disappointment and everything else that we fear may be coming once we announce that the work is done.


Stage 7. Showing

A time comes when we are obliged to show our work. The confidence needed here is not only the confidence to weather the ideas of appraisal, criticism, and rejection but the confidence to weather the reality of appraisal, criticism, and rejection. Like so many other manifestations of confidence, the basic confidence here sounds like “Bring it on!” You are agreeing to let the world do its thing and announcing that you can survive any blows that the world delivers.

Stage 8. Selling

A confident seller can negotiate, think on her feet, make pitches and presentations, advocate for her work, explain why her work is wanted, and so on. You don’t have to be over-confident, exuberant, over the top – you simply need to get yourself to the place of being a calmly confident seller, someone who first makes a thing and then sells it in a business-like manner.


Stage 9: New Incubation and Contemplation

While you are showing and selling your completed works you are also incubating and contemplating new projects and starting the process all over again. The confidence required here is the confident belief that you have more good ideas in you. You want to confidently assert that you have plenty more to say and plenty more to do – even if you don’t know what that “something” is quite yet.


Stage 10: Simultaneous and Shifting States and Stages

I’ve made the creative process sound rather neat and linear and usually it is anything but. Often we are stalled on one thing, contemplating another thing, trying to sell a third thing, and so on. The confidence needed throughout the process is the quiet, confident belief that you can stay organized, successfully handle all of the thoughts and feelings going on inside of you, get your work done, and manage everything. This is a juggler’s confidence—it is you announcing, “You bet that I can keep all of these balls in the air!”
Manifest confidence throughout the creative process. Failing to manifest confidence at any stage will stall the process. It isn’t easy living the artist’s life: the work is taxing, the shadows of your personality interfere, and the art marketplace if fiercely competitive. If you learn some key ideas, for instance that you must act confidently whether or not you feel confident, you give yourself the best chance possible for a productive and rewarding life in the arts.   

**

Eric Maisel is the author of Making Your Creative Mark and twenty other creativity titles including Mastering Creative Anxiety, Brainstorm, Creativity for Life, and Coaching the Artist Within. America’s foremost creativity coach, he is widely known as a creativity expert who coaches individuals and trains creativity coaches through workshops and keynotes nationally and internationally. He has blogs on the Huffington Post and Psychology Today and writes a column for Professional Artist Magazine. Visit him online at http://www.ericmaisel.com


The following article was adapated and posted with permission from  the new book Making Your Creative Mark ©2013 by Eric Maisel.  Published with permission of New World Library http://www.newworldlibrary.com

Click here to win a free creativity coaching session with Eric Maisel:   http://bit.ly/16Q0DPc 

Tuesday 23 April 2013

Pictures from art opening "Where Spirituality meets Physicality"

Pictures from art opening "Where Spirituality meets Physicality" April 2013 Britannia Library Gallery, Vancouver, BC.


Painting on the left: Subtle Shift

Painting on the right: Storming

Subtle Shift
Series: Where Spirituality meets Physicality
60 x 40" Mixed Media & Acrylics on Canvas
$3500.00
2013 Deb Chaney 


Storming
Series: Where Spirituality meets Physicality
48 x 72"" Mixed Media & Acrylics on Canvas
$6500.00
2013 Deb Chaney 




Old and new friends hanging out at the opening.



Fellow artist Meredith Aitken with her artworks on the walls ajacent.



Painting on the left: Sociere

Painting on the right: Surrender

Sorcière
Series: Where Spirituality meets Physicality
60 x 40" Mixed Media & Acrylics on Canvas
$3500.00
2013 Deb Chaney 



Surrender
Series: Where Spirituality meets Physicality
60 x 40" Mixed Media & Acrylics on Canvas
$3500.00
2013 Deb Chaney 




Robyn, Deb & Gabriella in front of Storming.



Robyn and Harry talking and laughing.



Haruko Okano, Gallery Curator, with Deb Chaney in the library gallery.



The girls Wendy, Carolyn, & Gabriella with the painting Serender in the background.

All photos taken and offered here with curtosy and thank you to Alan Katowitz. Pls contact him for prints and/or digital copies or other photography alankatowitz@gmail.com 604 961 3016 He is based in Vancouver, BC.

Thursday 18 April 2013

Video of Aritst Talk "Where Spirituality Meets Physicality"



Where Spirituality meets Physicality, is a series large-scale  abstract landscape paintings by Deb Chaney were created while exploring into the question; where does spirituality meet physicality?

In each painting, the earth/ground represents the physical nature of existence where Deb taps into her technical knowledge of acrylics and mediums,  mixed media and raw earth materials materials, to create thick textured earthy matter "physicality". 

The sky/upper portion of each painting represent the spiritual nature of existence where the artist taps into the unseen realm of spirit, faith, surrender, trust, and inner listening allowing these to guide her gestural manipulation of liquid acrylics and polymer mediums to express the "spirituality".

The actual doing and process of creating these painting allows her to gain insight into this question of where and perhaps how spirituality and physicality meet. You can hear some of her answers which will be revealed during her Artist's talk recorded live at Britannia Library Gallery in Vancouver April 2013 and shown here on You Tube.







The paintings I talk about during this show will be professionally photographed and exhibited in my online portfolio next month in May. 




Wednesday 3 April 2013

Where Spirituality meets Physicality: New Artworks and Artist's Talk


Where Spirituality meets Physicality: 
New Artworks and Artist's Talk at Britannia Library Gallery April 2013

Deb in the studio with the first 4 paintings in this new series just before going to hang the show at the library gallery.

Opening Reception: Wednesday, April 3rd, 2013, 6:30-8:30 PM at Britannia Library Gallery, 1661 Napier Street (by Commercial Drive) in Vancouver.  


Artist's Talk: Wednesday, April 17, 7 PM at Britannia Library Gallery, 1661 Napier Street (by Commercial Drive) in Vancouver.

map to venue: http://goo.gl/maps/YY7sm

Britannia Art Gallery Hours & Contact Info:

Monday, Thurs, Fri 8:30 AM - 5 PM
Saturday 9:30 AM - 5 PM
Sunday 1-5 PM

brtngallery@gmail.com
www.britanniacentre.org



Where Spirituality meets Physicality, is a series large-scale  abstract landscape paintings by Deb Chaney were created while exploring into the question; where does spirituality meet physicality?
In each painting, the earth/ground represents the physical nature of existence where Deb taps into her technical knowledge of acrylics and mediums,  mixed media and raw earth materials materials, to create thick textured earthy matter "physicality".

The sky/upper portion of each painting represent the spiritual nature of existence where the artist taps into the unseen realm of spirit, faith, surrender, trust, and inner listening allowing these to guide her gestural manipulation of liquid acrylics and polymer mediums to express the "spirituality".

The actual doing and process of creating these painting allows her to gain insight into this question of where and perhaps how spirituality and physicality meet. You can hear some of her answers which will be revealed during her Artist's talk Wednesday April 17th at 7 PM.


Paintings shown in the photograph are described as follows labelled from left to right, and will appear professionaly photographed in my online portfolio next month.

Surrender
Series: Where Spirituality meets Physicality
60 x 40" Mixed Media & Acrylics on Canvas
$3500.00
2013 Deb Chaney 
www.debchaney.com




Sorcière
Series: Where Spirituality meets Physicality
60 x 40" Mixed Media & Acrylics on Canvas
$3500.00
2013 Deb Chaney 

Storming
Series: Where Spirituality meets Physicality
48 x 72"" Mixed Media & Acrylics on Canvas
$6500.00
2013 Deb Chaney 



Subtle Shift
Series: Where Spirituality meets Physicality
60 x 40" Mixed Media & Acrylics on Canvas
$3500.00
2013 Deb Chaney 





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